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CRISTIANO RONALDO
Cristiano Ronaldo is the UEFA Champions League top scorer for a FIFTH year running 🙌🙌
#UCLfinal
#HalaMadrid ❤
Cristiano Ronaldo is the UEFA Champions League top scorer for a FIFTH year running 🙌🙌
#UCLfinal
#HalaMadrid ❤
The Best Movies of 2017 (So Far)
As we reach its half-way point, here's a look at the best movies of the year.
The
year is young, but it's never too early to start celebrating the finest
movies offered up by both the multiplex and the art house. After only
four months, moviegoers have been gifted with a bounty of great
blockbusters, indies and documentaries, proving that filmmakers are
continuing to find new ways—both big and small—to entertain, excite and
enlighten. No doubt there are numerous gems to come in the months ahead,
given that by the holidays, we'll have the latest works from acclaimed
directors like Paul Thomas Anderson, Martin Scorsese, and Steven
Spielberg (to name just three). For now, however, these are our current
picks for the best films of 2017.15. Heal the Living
Life's circular nature is a frequent melodramatic subject, and yet Heal the Living treats its familiar material with a sensitivity and lyricism that's powerfully affecting. French filmmaker Katell Quillévéré's drama concerns a teenage surfer who, after a car crash, winds up in a coma, brain-dead. While his separated parents (Emmanuelle Seigner and Kool Shen) try to cope with this unexpected tragedy, a concert violinist (Anne Dorval) strives to grapple with a deteriorating heart condition that can only be cured via transplant. That synopsis alone likely telegraphs the path along which the film travels. Still, the director's adaptation of Maylis de Kerangal's novel is marked by unexpected detours into the stories of an organ-donor consultant (A Prophesy's Tahar Rahim) and the injured boy's girlfriend, as well as a bevy of aesthetic grace notes, many of them courtesy of Alexandre Desplat's sorrowful score. The result is a moving portrait of life's fragility, and the strength we derive from our connections to each other.
14. Dark Night
Inspired by the 2012 Aurora, Colorado shooting by James Eagan Holmes that took place in a movie theater showing Christopher Nolan's The Dark Knight Rises, Tim Sutton's indie strives less for docudrama details than for a larger, more elusive sense of a time and place—and the many factors that might have given birth to such a tragedy. A kindred spirit to Gus Van Sant's Columbine-inspired Elephant, it tracks a host of men and women in an anonymous Florida suburb as they go about their daily business, most of which involves aimlessly wandering about in search of direction, and which often puts them into contact with firearms. Alternating between snapshots of PTSD-afflicted vets, wayward skateboarding teens, and other assorted loners—and featuring hypnotic aesthetics buoyed by Maica Armata's mournful soundtrack songs—Sutton's experiential drama eschews cause-and-effect analysis in favor of a haunting evocation of a community whose very fabric seems to have been stitched together with violent impulses. Rent/Buy on Amazon and iTunes.
Ad13. All This Panic
Female teenagerdom is presented in all its raw, messy, complicated glory by All This Panic, a documentary from Jenny Gage that depicts the ups and downs of a collection of New York City girls over the course of three years. While the most compelling personality in this sterling non-fiction film is lanky Lena—whose plight involves drinking to excess with friends, coping with divorced parents who are equally incapable of maintaining a stable residence, and trying to make it through college despite little financial aid from mom and dad—Gage splits her time between a variety of fascinating subjects, her gaze intimate and empathetic throughout. In the figure of Ginger, who opts to stay at home and find her own way while her best friend Lena heads off to school, it also locates how the path toward adulthood can be a rocky one paved with confusion, fear, sexual anxieties, social uncertainties, and ecstatic joy. Rent/Buy on Amazon and iTunes.
12. The Lure
La La Land's award-season triumphs may have heralded the return of the Hollywood musical, but in terms of ingenuity, flair and sheer eye-popping weirdness, it can't hold a candle to The Lure. Polish director Agnieszka Smoczynska's wackadoo import is a familiar tale of a young couple torn between individual dreams and professional desires, the twist being that these protagonists (Marta Mazurek and Michalina Olszanska) are mermaid cannibals sashaying through the seedy cabaret underbelly of 1980s Warsaw. Like the dreamy love child of Amèlie's Jean-Pierre Jeunet and The Fly's David Cronenberg—except with quite a bit more singing and dancing from its fantastical femme fatales—Smoczynska's knockout debut charts its aquatic fairy tale creatures as they make a name for themselves as a pop duo known as "The Lure," along the way falling in love and chomping on unsuspecting (male and female) victims. A bisexual Little Mermaid-by-way-of-vampire horrorshow scored to original New Wave-y tunes, it really is like nothing you've ever seen before. Rent/Buy on Amazon and iTunes.
11. Icaros: A Vision
A journey into the deep, dark regions of the Amazonian wild, Leonor Caraballo and Matteo Norzi's Icaros: A Vision follows an American beset by a cancer to the Peruvian jungle in search of ayahuasca—a psychedelic plant that, along with medicinal chants known as "icaros," are used by locals to remedy mind, body and spirit. In the care of Shipibo shamans, she and other patients venture freely between lucid and hallucinatory states, and so too does the film, which proceeds in an oblique, waking-dream fashion. Shot on location at a community retreat (and, briefly, at a hotel that was featured in Werner Herzog's Fitzcarraldo), this unique effort is an equally optimistic and despairing look at the ongoing clash of global cultures. And it's one bolstered by its constant synthesis of disparate forces—man and nature, the modern and the ancient, the West and the East, the physical and the ethereal, and, ultimately, the real and unreal.
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